Teacher: Fabiana Passos is a fashion designer and producer, works with advertising, fashion and fashion production. His most recent works were carried out for Vero Ad, a company with which he has been working in partnership since 2000, for clients such as Valfrance (Valisére) with photographer André Schiliró, and Pneumodog (Merial Brazil). Fabiana has already held cutting and sewing courses and fashion production.
Executive production of the course: Daniela Castilho
MODULE I PROGRAM
General Objective of the Course:
– Provide students with a general notion about film costume
– Provide students with a general sense of fashion
Specific Objectives:
– Encourage and develop interest in the process of audiovisual work production
– Encourage and develop interest in costume for cinema
– Show the importance of costume in cinema
– Develop a theoretical and practical basis for continued study of costume in cinema
Program:
Costume and Fashion in cinema
– What is the costume, how it is done, the various functions that advise him: hairdressers, makeup artists and chambermaids
– Costume Production; Makeup; Hair: what is it and how these functions are performed
– Fashion in cinema: how did the first pieces designed by stylists appear in films
– The influence of real-world fashion on cinema (years 20, 30, 40 and 50)
– The influence of movie stars on real-world fashion
– The studio designers: the big movie stars and their designers
– The blondes in the cinema and their legacy
– Brunettes, redheads and other biotypes
– The 60’s, important real-world figures and their influence, the big stars that turned into fashionable symbols
– The entry of the supermodels into the cinema
– Fashion designers in cinema
Concept and Technology
– Creativity and knowledge: the necessary techniques, the important elements to carry out costume design for a film; how to choose the pieces; how to create costumes to characterize characters;
– Fashion and sewing: the issue of fabrics, models and molds; production issues, creativity versus budget
– Classes commented with audiovisual presentation
Wait soon, program publication and dates of Module II
Theme of Module II: Costume of Historical Reconstitution